FREHLEY still celestial on “Spaceman” (E-One)

Now that the gloves are off, I thought it a good time to finally weigh in on the ever-rocking Ace Frehley‘s latest voyage, the self-produced Entertainment One release Spaceman, yet another aural sortie that finds the celestial one in a good place making vibrant new rock.

If you’ve been hiding under a rock, or have given up on new rock & roll altogether, you may need a wake up call — Ace Frehley is one of the few old school true hard rock cats left carrying the torch with any efficiency. In the past decade, Frehley has put out (countem’) four albums, all with stellar cuts & euphoric rock moments worthy of his ever-ascending pedigree and any playlist.

Reality is, a lot of folks sold out, gave up or can’t quite give a fuck enough to figure out how to get their fans new music. Ace …you know, the notoriously lazy drunken lay-about, decided when he got truly sober years ago to take over the main command deck, learn the new tech cold and bring it on home ….to his home studio. He’s cut out the flack and has been doing what he loves to do most, and you can feel it in his records; Ace is in his element. With what he’s endured, it’s a miracle he’s alive, not jaded and is still in love with rock & roll.

Spaceman may not be the very best of the four, but it’s f-close at moments and is as endearing as anything he’s ever released. In fact, when the final chapters of KISStory are written, I believe there a number of songs, sentiments & performances on Spaceman that will end up as major notches on the time capsule.

Relistening to it here today, a smile came over my face as I found myself breaking on through the turbulent atmosphere to the other side …kinda like the gravity that used to hold me down somehow just didn’t exist no more?!

The album features long-time, par-excellence Ace Frehley Band member Scot Coogan on drums on most of the record with the exception of the re-appearance of Anton Fig on “Pursuit of Rock & Roll” and guest jams by Matt Starr on “Rockin’ With The Boys’, “I Wanna Go Back” & “Quantum Flux”. Ace plays most of the guitars and bass, minus Gene SImmons’ singular playing on “Without You I’m Nothing” …count down’s comin’ on, here we go:

WITHOUT YOU I’M NOTHING > A ballsy, earnest rocker co-written with former band mate Gene Simmons that wouldn’t have worked (ie – been convincing) coming from Simmons or KISS. Frehley though knocks it out of the park with a great lead vocal, edgy semi-autobiographical verse lyrics and a bitchin’ solo that quickly re-affirms why you developed a taste for the Blue Koolaid way back.

“Now through the years, I’ve hit some walls, with no regrets .. when we’re apart I get the blues”” 

ROCKIN’ WITH THE BOYS > More straight talk from Ace delivered with customary ‘don’t sweat it’ chill. This one grows on you like a new pair of favorite jeans and the comfy feel continues into the solo as Ace eases back on the throttle, laying in behind the beat to get ‘back’ in NY groove.

We’ve had our differences, now don’t make a fuss, we’ve had the best of times” 

YOUR WISH IS MY COMMAND > Co-written also with Simmons, ‘Wish’ features a similarly luke-warm Simmons chorus / title benefiting again significantly from Ace’s well-honed pop sensibility on the verse melody & lyric. An ill-fated reunion of sorts, no surprise this is the only tune on the album that feels a little forced. Like with most old flames, you often find once is enough.

Seen many miracles, don’t be concerned, so few are chosen”

BRONX BOY > More street cred and a great P&L statement from Ace that takes us back to the ‘hard times’ as a teenage gangbanger that he may not have escaped were it not for his guitar & considerable swagger, drunk or sober!

“I’m just a street kid, we seek and destroy, I lived so much of it, I’m just a Bronx Boy.” 

PURSUIT OF ROCK & ROLL > A rock anthem to rival KISS’s many arena driven-forays over the years. Ace’s ‘State Of The Union’  is a rocket ride with Anton Fig burnin’ up the drum kit and Frehley high on the fumes, literally shouting out to The Rolling Stones, Elvis Presley, Chuck Berry, Little Richard and even The Beatles.

“Don’t want no strife, ‘cuz it’s the enemy, that gets into your soul” 

I WANNA GO BACK > It’s almost impossible not to love this cover of the Eddie Money hit. The choice, and Ace’s delivery of the bitter-sweet Money lament, is flat-out charming, further illuminating Ace’s range and deep love for a great hook, regardless the artist or era. It wasn’t a guitar tune until now, and it’s a fucking cool departure.

I wanna go back, and do it all over, but I can’t go back I know”

MISSION TO MARS > Were I Ace’s manager I would have tapped the glorious  “Mission To Mars” as the lead single (or “I Wanna Go Back”?) as it’s perhaps Ace’s best vocal since “Rip It Out” and tracks us on radar somewhere between ’74’s “Parasite”, ’89’s “Lost In Limbo”, 2009’s “Outer Space” and Elon Musk’s flying Tesla. Wonder how many times Frehley left the pavement in his DeLorean?

“My ships off course, by some unknown force ….Between heaven and earth, you know we’ll always be first, and that’s why”   

OFF MY BACK > Even if it’s now clear Ace never heard Spinal Taps’ “Bitch School”, this tune is super catchy and boasts the hottest solo on the album. If not Ace’s rawest Frehley fret  attack ever from the get-go, the solo outro shifts to urgent blues phrasing reminiscent of Leslie West of Mountain or Rory Gallagher!

“We go in circles with no end in sight”

QUANTUM FLUX > The closer is, as is tradition for Ace, a continuation of the instrumental epics that started in ’78 with the haunting powerhouse that is ‘Fractured Mirror’.  No exception to the fleet, ‘Flux’ is transcendent and takes Ace and us out of orbit into emotional time-scapes, reverberating key influences Jeff Beck & Jimmy Page while remaining pure Ace Frehley through and through.

The crazy thing is that, with Ace, you can go back. He still gives me that feeling. There’s ‘Space’ on board …Ace’s got you.

 

 

 

 

 

 

Advertisements

young ‘ACE’ sighting @ Buck Lake Ranch

I was @ Buck Lake Ranch in Angola, IN this weekend helping my pals out with their ‘Blessing Of The Bikes’ festival and met this mom and her son whose name escapes me … but his middle name was truly ‘ACE”, on the birth certificate! He and his mom shared pix with me of them on stage with Gene and the ‘Gene Simmons Band’ (did I get that right Mr. Make Believe?) the other day in in Cleveland or Indy or … they were rocking out and the Demon was all smiles.

Anyway, young ‘ACE” is the son of the lead guitarist of the band MAGPIE who rocked that day. In fact, Bon Scot may have been revived briefly when he took lead vocals  That’s dad in the back ground setting up for the gig. Hope the young Jendel candidate knows Dad is about as cool as the planet offers, only just ‘A Little Below The Angels’.

Funny how KISS still amazes even me sometimes …. young ‘ACE’ is in 5th grade, the same age I was when my buddy started singing “Larger Than Life” on the way out to the play ground one day and I said “what’s that?!?!?!” … the rest is personal KISStory … ah the sudden clarity over the weekend that I don’t know a world without KISS?!

you

KISStorian thinks Eric Carr saved KISS

cropped-scan0027-3.jpgMany KISStorians argue that Vinnie Vincent saved KISS but, any you way you slice it, it was ERIC CARR who saved KISS. The ride he took manning the drum fort on behalf of The KISS ARMY proves Carr was a true ‘Rock Soldier’ and, as The Elder would no doubt agree,  indeed ‘worthy of the fellowship’.

And as much as he gave it his all for KISS and their fans when playing live, Carr’s studio work is what makes him “King Of The Mountain” as savior of the band. Shit, take any track off Creatures Of The Night —  It’s Bonham meets the Demon & The Starchild and it sounds invincible! Even when KISS went soft rock on Crazy Nights, Carr remained heavy. He also wrote, sang, played bass, and made arrangement contributions on KISS material throughout his tenure with the band.

Even when the KISS experience soured for Carr personally, he never let it affect his level of devotion to the fans. He never, ever sucked. He was a pros pro and, by all accounts, one of the nicest guys on the planet.  His only fault may have been that his heart was a big as his bass drum and he wore it on his sleeve. So be it, amen Eric.

Anyway, I moved recently and found this:  my angry letter to Rolling Stone for ignoring his career.  I  share it with you on the Anniversary of his passing to give thanks to Eric for hanging tough when everyone else was jumping ship, Vincent included.

img_5541

KISStorian sees ACE FREHLEY’s true ‘Origins’ @ HOB Chicago

ace_hob

Since the dawn of civilization people have made pilgrimages to pay homage to their Gods and gather with the tribe. That is the feeling before, during and after an Ace Frehley concert. You’re back in the ‘New York Groove’ and in your rock & roll happy place (space) with Ace at the controls.

Such was the case a couple of weeks back when Ace made an earthly appearance at House of Blues here in Chicago. Night orbits with Ace over the years in the Chi have been bumpy rides at times (Avalon, Cubby Bear, China Club, Dome Room) but I am happy to report that Ace’s head, band, and space are in a great trajectory at present, no matter how semi-dazed & confused the captain may be from the excesses of rock & roll.

What struck me about this show is that Ace really did take a deep dive into his true ‘Origins’ by choosing to do the stuff I think he is most comfortable playing, perhaps enjoys most. It was basically a few key Frehley solo cuts, a couple covers off the newbie ‘Origins’, several non-Ace KISS tunes and then of course the core Frehley-penned KISS classics delivered with renewed zest & love. A set of KISStoric Ace ‘feel goods’.

ace_hob52016’s stellar incarnation of ‘the Ace Frehley Band’ may in fact be Ace’s best live line-up ever. The addition of rock cosmonaut Chris Wyse on bass is nothing short of an Ace masterstroke. (Great bass solo Chris!) With Wyse’s well-honed hammer, drummer Scot Coogan‘s old school pocket, guitarist Richie Scarlet‘s razor rhythm attack and Frehley running the Les Paul warp drive, the band delivered cool grooves, cosmically faithful renderings and good vibrations all the way from Jendell!

A Tip of the Chicago Firehouse hats to hometown boy Coogan for kicking ass on every level required to do Ace proud. I get the sense now several years in that Scot may be the band leader in a sense. If  he’s not, he’s certainly the a heart & soul Rock Soldier that the KISS Army  need thank for his considerable tour of duty.

ace_hob2There were some fun moments during the show too. A couple of times we caught Ace watching co-guitarist Scarlet and being amused by the ‘Emperor of Rock’s’ mega antics stage left. For one thing, Scarlet has discovered a new move in which he whips his guitar with his scarf instead of picking it LOL.. During “Rock Soldiers”, Ace noticed ironically that his “old buddy Richie” was now rocking out stage right at the perfect time for Frehley to point at Scarlet when he sang the song’s lyric “and Satan on my right” laughing after he did so. Richie also took the liberty, while visiting the ‘windy city’, of dedicating “Bad Boys Are Comings” off Trouble Walkin’ to “Mr. Alfonso Capone”.

img_4857Early in the show, like four songs in, Ace wandered back to the kit between songs and was talking to drummer Scot Coogan when people starting yelling “ACE!! ACE!! ACE!!”. Eventually Frehley returned to the mic and said calmly “hey …I didn’t go anywhere?”

img_4821For the intro to “Shock Me” Ace inquired “Who do you thinks gonna win? ….Hillary or Trump?”  He paused for comic effect and then said ‘”Who Fucking Cares!!! … nothing would SHOCK ME!!!”

At one point Ace asked us, very subdued, “Is it loud enough? …. yeah? … why not make it louder?” He then brought us all on back home, back to ’74, when he shared a revelation of sorts before going in to “Parasite”. Oh what a cool moment it was when Ace informed us that he had written the song about “this girl that used to follow KISS around from city to city” and oh to meet that girl with the ‘Parasite Eyes’.

Ace is one of the few rock icon who has never changed his true stripes or sold out. Masked, unmasked, loaded, sober or otherwise, Frehley is a ‘National Treasure’. To me Ace is the American personification of Jimmy Page meets Keith Richards. When it comes to KISStory, you can never count Ace out, no matter what hand he’s holding.

ace_hob3

KISStorian’s ‘SONIC MONSTER’ a rock & roll party!

kissWhat a life it is KISStorians to have time free on a Saturday afternoon to contemplate the finer things in life, like combining KISS’s Sonic Boom & Monster discs into arguable one of the best KISS albums of all time, a playlist I refer to as ‘Sonic Monster’. Try this at home and get it the car stereo pronto hombre because listen up, and listen good … Sonic Boom and Monster are pretty damn good rock & roll records so, yeah, old school gripes aside people, a tip of the proverbial ‘Firehouse’ helmets to Tommy Thayer & Eric Singer for manning the barricades …all for the glory of the KISS Army. This would be a cool KISS delux release remixed by a special guest like Phil Spector (via web)  or Bob ‘The Elder’ Ezrin himself? Maybe the boys would have fun turning it in to a live album with Eddie Kramer? 🙂 Don’t be afraid to dream.

SONIC MONSTER(2016) Modern Day Delilah – Wall Of Sound  – Outta This World – I’m An Animal – Say Yeah – Hell Or Hallelujah – Yes I Know (Nobody’s Perfect) – Shout Mercy – When Lightning Strikes – Long Way Down – Danger Us – Stand – All For The Love Of Rock & Roll – Back To The Stone Age  – Last Chance 

KISSorian’s ode to LEMMY & GARY RICHRATH

I would like to start the new year with a serous tip of the black ‘Firehouse’ helmets in remembrance of two rock soldiers who passed away in 2015; Lemmy Kilmister of MOTORHEAD & Gary Richrath of REO SPEEDWAGON. I can’t help but see KISS connections to both legends because, well … that’s what you do when you are a KISStorian.

GRI wanna start with Gary. I picked up the guitar because I wanted to be Gary Richrath on the cover of their double-live opus, You Get What You Play For.  I am from the Midwest and Speedwagon, before they sold out (and Gary left the band), were in many ways the band that bridged the gap between 60’s folk to 70’s rock with tunes like Gary’s “Golden Country”.  Speedwagon was ‘a little bit country and a little bit rock & roll’, somewhere between Skynyrd, Steve Miller, The Eagles and Seger but, with Richrath overdrive, could rival Nugent, Joe Perry, Neal Schon or Ace at any given moment. Plus, their image early on was wide scoped: quasi hippie-dippy, certainly ‘jammy’ and, above all, guitar-driven with Live_You_Get_What_You_Play_ForGary leading the charge on his Sun & Tobacco Burst Les Pauls. He always ripped, like Ace. Even if you didn’t dig the tune you could look forward to the solo. Richrath knew that; he was a closer. He had a singular tone, almost a precursor to Boston’s, and certainly akin to Ace’s on hits like “Roll with The Changes”. Blues based, hairy rock leads, no effects. Same gear as Ace too by and large. I’ve never heard Ace speak of Gary, maybe it’s time? Gary was classic mainstream radio rock competition and so similar to Ace in approach that it’s frankly mind boggling.

On to Lemmy, a larger more domineering rock presence to be sure… Gene, minus the booze n’ drug, may have modeled himself on Lemmy given his predilection for women, strippers and anything breathing / willing.  Gene knew that Lemmy was the only real dude in LA and I imagine their respective black books had some overlap(?). But, to the music  ….Gene’s classic growl / scowl vocal is probably closer to Lemmy than any Lemmy copyother singer on earth (though on “Two Timer” I hear shades of the late, great Louis Armstrong), Gene always had an ear on England, from Slade to The Who … no fucking way he overlooked Motorhead, Lemmy’s delivery or Motorhead’s defiant stance and unwitting formula. And, obvious but rarely addressed, Gene’s semi-distorted bass tone, and guitar player attack, are closer to Lemmys’ than anyone else I can think of also …especially live, just listen to anything live from Alive II on. Notably, Motorhead never played with KISS; Gene may have known it would have been their ‘Kiss of Death’.

Over the years Lemmy provided a convenient stereo-type for the likes of Simmons to mimic. Now it’s time for KISS to cover “Ace of Spades” w/ Ace on guitar and Gene on lead vocal … or for Gene to guest in that capacity on Ace’s forth-coming ‘covers’ record?

Happy 2016 KISStorians!