KID KING KISS (aka Jason Roberts)

How do you rank the studio albums by the original four?  I’d give them all 10’s!!

What got you hooked on KISS as a kid?   The first time I saw the cover of KISS Alive II with the blood all over Gene.
What was your favorite live KISS concert experience?  Revenge … my uncle Dennis bought us tickets, it was my first show … it was the UIC Pavillion …it was my favorite … just seeing all the adrenaline and the bombs and the pyrotechnics just made me feel like a kid again!
Who is your favorite member of the original four and why?  Has to be Gene because he just tells it like it is and he holds no punches even though his mouth gets him in trouble sometimes, but he’s got to learn too.
What’s your favorite 80’s KISS record and what are your favorite 5 KISS songs of the 80’s?  Asylum … “Uh All Nite”, “Let’s Put The X In Sex”, “Silver Spoon”, “Who Wants To Be Lonely” and “Heart of Chrome”.
You are a huge Elvis fan, what do you think KISS and Elvis have in common? They were all cool back in their day, he had his worst times with the movies and the Army and he had everything taken away and KISS had their day with non-make-up records and the disco era — they both had their non-cool phase.

What’s your review from the Chicago Open Air show this summer at Toyota Park?  I think they need to really quit — I had to say but they need to quit or do a one year reunion tour with everyone whose alive and just call it a day.

If you met someone who wasn’t (yet) a KISS fan, what 5 songs would you play them to try and enlist them in the KISS Army?   “Dr Love”, “Do You Love Me”, “Kissin’ Time”, “Love Gun” and “Deuce”.

You have a weekly feature on KISStorian in your Jason‘s Kisstoric Flashback — how do you decide each week what video to pick?  It’s not very hard, I just go with how I feel that week, whatever song I feel like throwing up there.

If somebody bought you the Gene Simmons Vault and he was gonna come and hang out for a bit, what would you wanna do and what would you talk with Gene about?  I would talk him about why is he letting KISS continue to play live and ask him to consider just making more studio records because that’s probably what the fans wanna see most at this point … I would just like to spend the day with him and see what he’s like.
You are asked to write Ace Frehley‘s set list for the next tour … what songs are essential for him to play live that he hasn’t been playing?  “Do Ya”, “Trouble Walkin'”, “Talk To Me”, “2,000 Man”, “White Room” and “Foxy & Free”.

What is your favorite moment in KISStory?  Gene’s appearance on the Mike Douglass Show or the Tom Snyder Show interview.

What would you call the next KISS studio album, please give us three working titles Jason? Maniacs, Tear It Up or Worlds Apart.

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KISStorian ranks the original studio LPs

#1 > LOVE GUN – Eddie Kramers KISStoric sonic masterpiece, the punchy Love Gun boasts Ace’s first vocal, some of his best leads and the original line-up’s finest studio hour. Best snare sound found on any KISS studio recording save the non-live side 4 of Alive II, compliments again of Kramer.

#2 > ROCK & ROLL OVER – Meaty, beaty, big & bouncy, and again with Kramer at the wheel, Rock & Roll Over is a bombastic rock record that captures the band getting back to what they do best, rock. The debut EP should probably have this spot but the band is so much more developed by ’76’s RRO .

#3 > KISS Almost as pristine as “Christeen Sixteen” herself in sheer simplicity, KISS is loaded with more of the bands live staples than any other and, If you don’t like “Kissin’ Time”, you’re probably in the band because Ace’s solo on it is fierce, capturing on his frets the bands frustration in being forced to record the number.

#4 > DRESSED TO KILL – Shortish but tight, Dressed To Kill is a surprisingly crisp sounding album given it was practically self-produced …DTK features a notably improved Peter Criss and a number of now classic KISS rockers for the subsequent tour and Alive!. Turns out that giving the band more control, at least at this juncture, enabled them to produce something that represented them better than the debut and HTH, employing acoustic guitars to add texture for the first time. 

#5 > DETROYERThe bar and the band raised to the high ‘n mighty Bob Ezrin standard, Destroyer is KISS’s first successful foray into mainstream pop hot on the heels of the radio explosion of the Alive! version of “Rock & Roll All Nite”. Although many argue it’s KISS’s best studio effort because of their expanded scope with Ezrin producing, the overblown fascism that is “Great Expectations” gives us their first truly cringeworthy moment and a snapshot of the shape of things to come.

#6 > HOTTER THAN HELL – A delightfully dark ‘n dirgy, balls-to-the-wall album that includes a number of my all-time favorite KISS deep cuts, HTH is a major cornerstone of the KISS cannon. Were it not for its muddy production and dead drums, I could even put it above Destroyer because its definitive stuff. No place else would the sludge blues-rock of “Mainline” have made the cut nor  “Goin’ Blind” & ” Strange Ways” fit in so well with classics like “Parasite”, “Got to Chose” and the title cut.

(( KISStorians note: I have left off Dynasty & Unmasked because they, by & large, feature Anton Fig as ghost drummer. Had I included them, Unmasked would have come in last place, Dynasty somewhere in the middle ‘cuz its state-of-the-art KISS! ))

 

Hot In Oklahoma City 1990

The best part about YouTube.com for this KISStorian is the fact that one can find diamonds in the rough almost weekly like the full live concert vids that seem to keep coming like the mail!

So many great moments on this recent find; a KISStoric Hot In The Shade Tour show from Oklahoma City that finds KISS at their most compelling sans make-up playing their best set list and sounding considerably less frantic than on the prior two tours with Kulick & Carr. By 1990, the ‘new’ KISS is a seasoned unit, hitting on all cylinders, reclaiming territory.

For a hand-held bootleg, the sound is surprisingly warm and not only is Bruce Kulick on fire ‘n tasty throughout, but Gene Simmons is smooth and singing better here than on most of the HITS tour stuff I’ve heard.

It also nicely illuminates the bands evolving groove with Eric Carr and their take on semi-shelved KISS classics like “Strutter”, “I Want You” & “I Stole Your Love” with ‘The Fox’ on drums.

More centrally though, this is our rock & roll party because it captures Paul Stanley at his very finest as a live performer, singer and one of a kind rock star. No one can move while playing guitar like Paul does. He really gives every moment a whole lotta love and can be downright artful at it, bringing a passion, joy and style to the stage rarely if ever achieved by less dedicated artists.

DYSTOPIAN DANCE PARTY provides KISS reality check

Listen and weep — these have gotta be the best 9 or 10 hours of non-member-biased, KISS-related content available to mankind. Given the fact that it’s from non-KISS Army members (though they each have their favorite tunes & albums), it’s one helluva long overdue reality check for KISSdom.

In these podcasts, Zack & Kallie, our intrepid young sister / brother team of scholars, attempt to make sense of KISStory by taking deep-dives with each of the four original band members autobiographies, in the order released, and with hilarious results.  For those who can’t hack it, you officially have no sense of humor.

Gene often says the root premise of rock & roll is that “nothing is sacred” … well, hear his words ‘n take heed ‘cuz DYSTOPIAN DANCE PARTY is full of cheeky, rock & roll irreverence and yet it appears no lobsters were harmed in their making.

KISStorian ranks ACE FREHLEY solo eclipses

ACE FREHLEY – 1978 — The crucible salvo that defined Ace’s sound for all of his future KISS & solo offerings and that served as the ‘shot over the bow’ that woke KISS fans to the fact that Ace was even cooler than we had thought ….if you don’t like “Rip It Out”, ‘What’s On Your Mind?” …I hope you suffer!

ANOMALY – 2009 — A transcendent Ace album that, although a little light on song count, takes us out of the KISS stratosphere completely in terms of message and style with Frehley left turns “A Little Below The Angels”, “Change The World” and ‘It’s A Great Life”. Buttressed by several cool rockers, the best perhaps being “Foxy & Free” and the brooding explosion that is “Pain In The Neck”, Anomaly is a celestial unveiling.

TROUBLE WALKIN’ – 1989 — A great back-to-basics rock record that was a kick in the teeth to anyone who thought Ace was “down & out” after Second Sighting, Trouble Walkin’ finally tapped the rock solid promise of his original ‘Comet line-up by (re)enlisting ‘Rock Soldiers’ Richie Scarlet on guitar & Anton Fig on drums. “Shot Full of Rock” says it all when Ace opines … “Ain’t got time for posers!”.

FREHLEY’S COMET – 1987 — A state-of-the-art Eddie Kramer produced 80’s rock tomb and a key moment in KISStory, the debut of ‘The Comet’ hailed the return of a made-over Ace with a competitive record and cache that inadvertently restored some credibility to the slightly faded KISS brand.

SPACE INVADER – 2014 — A return to hard rock form for Ace in response in part to those thrown off by the evolved scope of Anomaly, Space Invader takes us again off planet to a rendezvous on Mars and other spacey guitar-a-thon revelations like the title cut.  Had the production been as stellar as other Ace passages, Space Invader might have eclipsed them all cuz tunes like “Gimme A Feelin'” and “What Every Girl Wants” kick so much universal ass.

ORIGINS, Vol. 1 – 2016 — A bitchin’ ‘Space Ace’ time machine that takes us back to the bands & tunes that sealed Frehley’s rock & roll fate, ultimately sending smoking Les Paul‘s skyward for all to see.  Although a collection of covers, it also includes a couple hot re-workings of classic Frehley-penned KISS numbers in “Parasite” and “Cold Gin”, both still staples today whether seeing the Ace Frehley Band or the new KISS.

LIVE + 1 – 1988 — Although it’s in essence an EP, and only includes one studio newbie in the (seriously shoulda been a single!) “Words Are Not Enough”, Live +1  is a great snapshot of ‘Frehley’s Comet’ live that includes an awesome drum solo by Anton Fig. Recorded at The Aragon Ballroom here in Chicago, I was lucky enough to attend, remember the excitement Ace and the band generated and feel it’s captured well here.

SECOND SIGHTING – 1988 — A near-miss by Ace in terms of material & focus on what would turn out to be the ‘Comet’s swan song, Second Sighting has it’s fun moments and great Ace sluggers like “Insane” but ultimately left us wondering if ‘the Comet’ was might burn up on re-entry if they continued on this trajectory.