STAN PAULEY of PHAT KISS

How did your relationship with KISS begin? It all started when in was a kid digging through my older brothers record collection. I found Kiss Alive II and then knew my life would never be the same.

Can you explain why being a KISS fan is typically a life-long affliction? I have no idea why being a fan has lasted all my life. It would be impossible to pin down just one reason. But if I had to narrow it down I would say It’s their raw energy.

PHAT KISS return to LIVEWIRE on HALLOWEEN, do you have anything special planned for the KISS Army? Definitely have a few tricks up our sleeves for the LiveWire show!!

How did you show in Berwyn at Cigars & Stripes BBQ Lounge come about? A friend of ours works at a BBQ place and found out there was this Halloween BBQ fest in Berwyn on the Saturday the 28th there  …We love BBQ and Berwyn’s the home of the Son of Svengoolie. How could we refuse?!

Who is in PHAT KISSOur current line up is Stan Pauley guitar / vocals, Beans Simmons bass / vocals, A.C. Crisps drums / vocals.

You have a dual role in the band — you’re the ‘Starchild’ but you also play all the leads. Is there room in PHAT KISS for a ‘Spaceman’ at some point?  We are definitely open to finding an ‘Ace’, It’s very important to us to find someone that will fit with our chemistry.

What’s your live set up in terms of amps & guitars? Marshall stack, Gibson guitars, though I do use a Iceman here and there.

What are the staples of your set and which cuts seem to go over best consistently? We try to do a mix of the hits and deep cuts  As far as shows are concerned …”Love Gun”, “Strutter”, “Detroit Rock City” and “I Was Made For Loving You” always get a great crowd reaction!

Are there any songs you tried live that were soon to get nixed? We’ve done some 80’s stuff like “I love It Loud” and “Tears Are Falling” but they never seem to stay in the set. We are still exploring some of that, I think we’re probably gonna throw in “War Machine” here soon.

What’s your favorite KISS album?  Kiss Alive II will always hold the top spot. That open guitar riff on “I Stole Your Love” just rips!

What is the best KISS concert you ever attended?  I’ve seen them maybe 10 times but I would have to say the last one at Chicago Open Air festival this summer rocked. They have so much material it went on for over 2 hours and their stage show always gets progressively better. Absolutely nothing beats when Gene flies during “God Of Thunder”.

Do you have a KISS ‘happy space’ you would share with fellow KISStorians? I don’t know what you mean by ‘happy space’ but for some reason KISS always sounds best to me cranked up while driving.

Did Vinnie Vincent save KISS?  There is a case to be made for Vinnie, but ultimately it’s Paul and Gene who are the driving force of KISS.

If you were mod your Harley Davidson KISS style, what would you do to it in a perfect KISS world?  Such a weird question …The only way to go there if I had to would be some sort of demon bike with glowing eyes and so its fire from the tail pipe like some tricked out 70’s chopper.

What’s your favorite track by each original KISS member?
Paul – “Love Gun” ….Man it’s “Love Gun”!!!
Gene – “Cold Gin” …Just a nasty riff and all the hoopla that goes with it.
Ace – “Rocket Ride” …Just a driving song that keeps pushing the limits and some really clever guitar work. Also, it’s about getting a blow job.
Peter – “Black Diamond”.

Do you believe KISS will continue without Gene or Paul as stated for years by both original founders? Epic. KISS will live forever, if not the original band In some way shape or form but in bands like us willing to carry the torch of The KISS Army. 

Do you think they ever deputize / co-brand KISS cover bands worldwide? I’d like to think there is some kid out there right now learning the solo for “Detroit Rock City”. Man …I have no idea what they would do.

This is your chance for a shout out to the boys because they are reading this — what say yee? All I know is we’ll keep doing it as long as the crowd is into it. Take us on THE KISS KRUISE!!

Advertisements

DYSTOPIAN DANCE PARTY provides KISS reality check

Listen and weep — these have gotta be the best 9 or 10 hours of non-member-biased, KISS-related content available to mankind. Given the fact that it’s from non-KISS Army members (though they each have their favorite tunes & albums), it’s one helluva long overdue reality check for KISSdom.

In these podcasts, Zack & Kallie, our intrepid young sister / brother team of scholars, attempt to make sense of KISStory by taking deep-dives with each of the four original band members autobiographies, in the order released, and with hilarious results.  For those who can’t hack it, you officially have no sense of humor.

Gene often says the root premise of rock & roll is that “nothing is sacred” … well, hear his words ‘n take heed ‘cuz DYSTOPIAN DANCE PARTY is full of cheeky, rock & roll irreverence and yet it appears no lobsters were harmed in their making.

KISStorian ranks ACE FREHLEY solo eclipses

ACE FREHLEY – 1978 — The crucible salvo that defined Ace’s sound for all of his future KISS & solo offerings and that served as the ‘shot over the bow’ that woke KISS fans to the fact that Ace was even cooler than we had thought ….if you don’t like “Rip It Out”, ‘What’s On Your Mind?” …I hope you suffer!

ANOMALY – 2009 — A transcendent Ace album that, although a little light on song count, takes us out of the KISS stratosphere completely in terms of message and style with Frehley left turns “A Little Below The Angels”, “Change The World” and ‘It’s A Great Life”. Buttressed by several cool rockers, the best perhaps being “Foxy & Free” and the brooding explosion that is “Pain In The Neck”, Anomaly is a celestial unveiling.

TROUBLE WALKIN’ – 1989 — A great back-to-basics rock record that was a kick in the teeth to anyone who thought Ace was “down & out” after Second Sighting, Trouble Walkin’ finally tapped the rock solid promise of his original ‘Comet line-up by (re)enlisting ‘Rock Soldiers’ Richie Scarlet on guitar & Anton Fig on drums. “Shot Full of Rock” says it all when Ace opines … “Ain’t got time for posers!”.

FREHLEY’S COMET – 1987 — A state-of-the-art Eddie Kramer produced 80’s rock tomb and a key moment in KISStory, the debut of ‘The Comet’ hailed the return of a made-over Ace with a competitive record and cache that inadvertently restored some credibility to the slightly faded KISS brand.

SPACE INVADER – 2014 — A return to hard rock form for Ace in response in part to those thrown off by the evolved scope of Anomaly, Space Invader takes us again off planet to a rendezvous on Mars and other spacey guitar-a-thon revelations like the title cut.  Had the production been as stellar as other Ace passages, Space Invader might have eclipsed them all cuz tunes like “Gimme A Feelin'” and “What Every Girl Wants” kick so much universal ass.

ORIGINS, Vol. 1 – 2016 — A bitchin’ ‘Space Ace’ time machine that takes us back to the bands & tunes that sealed Frehley’s rock & roll fate, ultimately sending smoking Les Paul‘s skyward for all to see.  Although a collection of covers, it also includes a couple hot re-workings of classic Frehley-penned KISS numbers in “Parasite” and “Cold Gin”, both still staples today whether seeing the Ace Frehley Band or the new KISS.

LIVE + 1 – 1988 — Although it’s in essence an EP, and only includes one studio newbie in the (seriously shoulda been a single!) “Words Are Not Enough”, Live +1  is a great snapshot of ‘Frehley’s Comet’ live that includes an awesome drum solo by Anton Fig. Recorded at The Aragon Ballroom here in Chicago, I was lucky enough to attend, remember the excitement Ace and the band generated and feel it’s captured well here.

SECOND SIGHTING – 1988 — A near-miss by Ace in terms of material & focus on what would turn out to be the ‘Comet’s swan song, Second Sighting has it’s fun moments and great Ace sluggers like “Insane” but ultimately left us wondering if ‘the Comet’ was might burn up on re-entry if they continued on this trajectory.

 

 

KISStorian’s CRAZY NIGHT in UTICA ’88

It was January 22nd, 1988 and a cold day in hell, save the KISS / Ted Nugent concert.

I was in college in upstate New York and somehow I had convinced my pal Doug to drive up from Phili to meet me for the show. He wasn’t, and still isn’t, even a fan really. Rather, just another casualty of the KISS Army fervor. He really deserves a commemorative badge of some sort as a civilian. Poor guy. It wasn’t his first or last KISS-related sortee.

We were literally 2nd & 3rd in line for the general admission show respectively and stood in the cold for what must have been at least 5 hours, braving bone chilling stupidity.

The guy first in line didn’t make it:  he had been sipping Cold Gin (no bullshit!) from a bottle all afternoon, we even had a couple swigs! At one point he ran out so we saved his spot while he ran to get more. Anyway, right before they opened the doors of the Utica Memorial Auditorium, he was carted off drunk as the police station was literally directly across the street. They may have been watching him all day? We felt for him but the night was still young, and now we were first in line!

I have very little other recollections from the show beyond our cherry front row, dead center seats and our surprise ‘moment of clarity’ with Ted Nugent:  We had rolled a number (or two) prior, stuffed’em in our socks and waited till the lights when down and Ted graced us with his edgy presence. An instant after partaking, we realized that we were way too close to Ted. He was on to us. He was just the cat to call us out over the mic to make some publicity, continuing his famed war against “anyone who wants to get mellow” as outlined on the Double Live Gonzo LP.  We looked at each other wide-eyed and immediately snuffed it out in deference to the ‘Motor City Mad Man’.

Flash forward 10 years or so and I am working a show at Otto’s in DeKalb, IL with Ted and he asks if he can borrow a car. The promoter offers up my Jeep (WTF?!) and I say, concerned:  “Where are you headed? …do know where you are at?”                      

Ted replied:  “Of course I know where I am ….I’m the Motor City Madman, headed for Rockford kiddies!”  As I walked him to my car I said:  “hey Ted …fair warning, I’m a KISS fan ….you may wanna dial back the volume a bit before you turn the ignition?!” 

Ted glanced at me with a rye grin ….“it never ends”.

 

 

KISS – Heaven, Hell or Houston?

Who better than KISS to round out a 40-year catalog with no less than 5 songs with HELL in the title.  Indeed with KISS, even “Heaven’s On Fire”.  Like a lotta rock, KISS bleeds biblical references, consider offerings like “‘Thou Shalt Not”,  “On The 8th Day”, “Unholy” and “God Gave Rock & Roll To You”.  KISStorian ranks KISS’s journey ‘Runnin’ With The Devil’.

HOTTER THAN HELL — Street-wise Stanley burns ya like the mid-day sun … KISS’s industrially murky “Cross Town Traffic” has one of the best outros in rock history with the duel-panned Frehley solos wailing out on the fade … Yes, HTH is as close to KISS HEAVEN as HELL gets, rivaling ACDC’s “Highway To Hell” as the best rock cut with HELL in the title, all-time. The groove on the live version on Alive is KISS at it’s very best …rip rip, rip & destroy!!!

ROCK & ROLL HELL — Gene seems to think it’s his destiny, whether he wrote it or not, and sings RR HELL like he owns it,  perhaps because he really did want out of the KISS biz circa ’82. Certainly Ace left to save his soul, leaving Dr. Love to contemplate who was Saint and who the Sinner. One could argue that Creatures of The Night marks the Demon’s final serious salvo …soon he would wander the wastelands, no longer Lord.

I’LL FIGHT HELL TO HOLD YOU — Pure 80’s super-Paul travels to the brink to be bye your side in this diabolically good Crazy Nights cut…There was never a video made for HELL TO HOLD YOU, but one can easily visualize it’s cinematic MTV potential appeal …I see Paul braving heavy terrain, high winds, torrential rains, eventually reaching the mountain top, searching for the lost Xanadu. The Starchild has our backs.

HELL OR HIGH WATER — Gene’s best cut off Crazy Nights and my favorite Bruce Kulick rock hunt, HELL OR HIGH WATER may be the only Simmons song in which he admits having his feelings hurt. But nobody puts Gene in the corner, he let’s you know in the festive, feel good doo-wop bridge ….”Baby don’t doubt it, ain’t no doubt about it” …considering he’s willing to brave HIGH WATER potentially, I find it down right heart-warming that the ‘Man of 1,000 Faces’ considers facing HELL to boot if need be.

SOMEWHERE BETWEEN HEAVEN & HELL — Gene’s put you in purgatory, and he’s so hungry… ‘SOMEWHERE’ somehow worked on Hot In The Shade but the lyrics are so cheap novel cliche Simmons, and the hook so KISS sleepy, that it made us all long for days of yore when Gene was a Demon, not the ‘Albatross’.