KISStorian ranks the original studio LPs

#1 > LOVE GUN – Eddie Kramers KISStoric sonic masterpiece, the punchy Love Gun boasts Ace’s first vocal, some of his best leads and the original line-up’s finest studio hour. Best snare sound found on any KISS studio recording save the non-live side 4 of Alive II, compliments again of Kramer.

#2 > ROCK & ROLL OVER – Meaty, beaty, big & bouncy, and again with Kramer at the wheel, Rock & Roll Over is a bombastic rock record that captures the band getting back to what they do best, rock. The debut EP should probably have this spot but the band is so much more developed by ’76’s RRO .

#3 > KISS Almost as pristine as “Christeen Sixteen” herself in sheer simplicity, KISS is loaded with more of the bands live staples than any other and, If you don’t like “Kissin’ Time”, you’re probably in the band because Ace’s solo on it is fierce, capturing on his frets the bands frustration in being forced to record the number.

#4 > DRESSED TO KILL – Shortish but tight, Dressed To Kill is a surprisingly crisp sounding album given it was practically self-produced …DTK features a notably improved Peter Criss and a number of now classic KISS rockers for the subsequent tour and Alive!. Turns out that giving the band more control, at least at this juncture, enabled them to produce something that represented them better than the debut and HTH, employing acoustic guitars to add texture for the first time. 

#5 > DETROYERThe bar and the band raised to the high ‘n mighty Bob Ezrin standard, Destroyer is KISS’s first successful foray into mainstream pop hot on the heels of the radio explosion of the Alive! version of “Rock & Roll All Nite”. Although many argue it’s KISS’s best studio effort because of their expanded scope with Ezrin producing, the overblown fascism that is “Great Expectations” gives us their first truly cringeworthy moment and a snapshot of the shape of things to come.

#6 > HOTTER THAN HELL – A delightfully dark ‘n dirgy, balls-to-the-wall album that includes a number of my all-time favorite KISS deep cuts, HTH is a major cornerstone of the KISS cannon. Were it not for its muddy production and dead drums, I could even put it above Destroyer because its definitive stuff. No place else would the sludge blues-rock of “Mainline” have made the cut nor  “Goin’ Blind” & ” Strange Ways” fit in so well with classics like “Parasite”, “Got to Chose” and the title cut.

(( KISStorians note: I have left off Dynasty & Unmasked because they, by & large, feature Anton Fig as ghost drummer. Had I included them, Unmasked would have come in last place, Dynasty somewhere in the middle ‘cuz its state-of-the-art KISS! ))

 

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Hot In Oklahoma City 1990

The best part about YouTube.com for this KISStorian is the fact that one can find diamonds in the rough almost weekly like the full live concert vids that seem to keep coming like the mail!

So many great moments on this recent find; a KISStoric Hot In The Shade Tour show from Oklahoma City that finds KISS at their most compelling sans make-up playing their best set list and sounding considerably less frantic than on the prior two tours with Kulick & Carr. By 1990, the ‘new’ KISS is a seasoned unit, hitting on all cylinders, reclaiming territory.

For a hand-held bootleg, the sound is surprisingly warm and not only is Bruce Kulick on fire ‘n tasty throughout, but Gene Simmons is smooth and singing better here than on most of the HITS tour stuff I’ve heard.

It also nicely illuminates the bands evolving groove with Eric Carr and their take on semi-shelved KISS classics like “Strutter”, “I Want You” & “I Stole Your Love” with ‘The Fox’ on drums.

More centrally though, this is our rock & roll party because it captures Paul Stanley at his very finest as a live performer, singer and one of a kind rock star. No one can move while playing guitar like Paul does. He really gives every moment a whole lotta love and can be downright artful at it, bringing a passion, joy and style to the stage rarely if ever achieved by less dedicated artists.

STAN PAULEY of PHAT KISS

How did your relationship with KISS begin? It all started when in was a kid digging through my older brothers record collection. I found Kiss Alive II and then knew my life would never be the same.

Can you explain why being a KISS fan is typically a life-long affliction? I have no idea why being a fan has lasted all my life. It would be impossible to pin down just one reason. But if I had to narrow it down I would say It’s their raw energy.

PHAT KISS return to LIVEWIRE on HALLOWEEN, do you have anything special planned for the KISS Army? Definitely have a few tricks up our sleeves for the LiveWire show!!

How did you show in Berwyn at Cigars & Stripes BBQ Lounge come about? A friend of ours works at a BBQ place and found out there was this Halloween BBQ fest in Berwyn on the Saturday the 28th there  …We love BBQ and Berwyn’s the home of the Son of Svengoolie. How could we refuse?!

Who is in PHAT KISSOur current line up is Stan Pauley guitar / vocals, Beans Simmons bass / vocals, A.C. Crisps drums / vocals.

You have a dual role in the band — you’re the ‘Starchild’ but you also play all the leads. Is there room in PHAT KISS for a ‘Spaceman’ at some point?  We are definitely open to finding an ‘Ace’, It’s very important to us to find someone that will fit with our chemistry.

What’s your live set up in terms of amps & guitars? Marshall stack, Gibson guitars, though I do use a Iceman here and there.

What are the staples of your set and which cuts seem to go over best consistently? We try to do a mix of the hits and deep cuts  As far as shows are concerned …”Love Gun”, “Strutter”, “Detroit Rock City” and “I Was Made For Loving You” always get a great crowd reaction!

Are there any songs you tried live that were soon to get nixed? We’ve done some 80’s stuff like “I love It Loud” and “Tears Are Falling” but they never seem to stay in the set. We are still exploring some of that, I think we’re probably gonna throw in “War Machine” here soon.

What’s your favorite KISS album?  Kiss Alive II will always hold the top spot. That open guitar riff on “I Stole Your Love” just rips!

What is the best KISS concert you ever attended?  I’ve seen them maybe 10 times but I would have to say the last one at Chicago Open Air festival this summer rocked. They have so much material it went on for over 2 hours and their stage show always gets progressively better. Absolutely nothing beats when Gene flies during “God Of Thunder”.

Do you have a KISS ‘happy space’ you would share with fellow KISStorians? I don’t know what you mean by ‘happy space’ but for some reason KISS always sounds best to me cranked up while driving.

Did Vinnie Vincent save KISS?  There is a case to be made for Vinnie, but ultimately it’s Paul and Gene who are the driving force of KISS.

If you were mod your Harley Davidson KISS style, what would you do to it in a perfect KISS world?  Such a weird question …The only way to go there if I had to would be some sort of demon bike with glowing eyes and so its fire from the tail pipe like some tricked out 70’s chopper.

What’s your favorite track by each original KISS member?
Paul – “Love Gun” ….Man it’s “Love Gun”!!!
Gene – “Cold Gin” …Just a nasty riff and all the hoopla that goes with it.
Ace – “Rocket Ride” …Just a driving song that keeps pushing the limits and some really clever guitar work. Also, it’s about getting a blow job.
Peter – “Black Diamond”.

Do you believe KISS will continue without Gene or Paul as stated for years by both original founders? Epic. KISS will live forever, if not the original band In some way shape or form but in bands like us willing to carry the torch of The KISS Army. 

Do you think they ever deputize / co-brand KISS cover bands worldwide? I’d like to think there is some kid out there right now learning the solo for “Detroit Rock City”. Man …I have no idea what they would do.

This is your chance for a shout out to the boys because they are reading this — what say yee? All I know is we’ll keep doing it as long as the crowd is into it. Take us on THE KISS KRUISE!!

DYSTOPIAN DANCE PARTY provides KISS reality check

Listen and weep — these have gotta be the best 9 or 10 hours of non-member-biased, KISS-related content available to mankind. Given the fact that it’s from non-KISS Army members (though they each have their favorite tunes & albums), it’s one helluva long overdue reality check for KISSdom.

In these podcasts, Zack & Kallie, our intrepid young sister / brother team of scholars, attempt to make sense of KISStory by taking deep-dives with each of the four original band members autobiographies, in the order released, and with hilarious results.  For those who can’t hack it, you officially have no sense of humor.

Gene often says the root premise of rock & roll is that “nothing is sacred” … well, hear his words ‘n take heed ‘cuz DYSTOPIAN DANCE PARTY is full of cheeky, rock & roll irreverence and yet it appears no lobsters were harmed in their making.

KISStorian ranks ACE FREHLEY solo eclipses

ACE FREHLEY – 1978 — The crucible salvo that defined Ace’s sound for all of his future KISS & solo offerings and that served as the ‘shot over the bow’ that woke KISS fans to the fact that Ace was even cooler than we had thought ….if you don’t like “Rip It Out”, ‘What’s On Your Mind?” …I hope you suffer!

ANOMALY – 2009 — A transcendent Ace album that, although a little light on song count, takes us out of the KISS stratosphere completely in terms of message and style with Frehley left turns “A Little Below The Angels”, “Change The World” and ‘It’s A Great Life”. Buttressed by several cool rockers, the best perhaps being “Foxy & Free” and the brooding explosion that is “Pain In The Neck”, Anomaly is a celestial unveiling.

TROUBLE WALKIN’ – 1989 — A great back-to-basics rock record that was a kick in the teeth to anyone who thought Ace was “down & out” after Second Sighting, Trouble Walkin’ finally tapped the rock solid promise of his original ‘Comet line-up by (re)enlisting ‘Rock Soldiers’ Richie Scarlet on guitar & Anton Fig on drums. “Shot Full of Rock” says it all when Ace opines … “Ain’t got time for posers!”.

FREHLEY’S COMET – 1987 — A state-of-the-art Eddie Kramer produced 80’s rock tomb and a key moment in KISStory, the debut of ‘The Comet’ hailed the return of a made-over Ace with a competitive record and cache that inadvertently restored some credibility to the slightly faded KISS brand.

SPACE INVADER – 2014 — A return to hard rock form for Ace in response in part to those thrown off by the evolved scope of Anomaly, Space Invader takes us again off planet to a rendezvous on Mars and other spacey guitar-a-thon revelations like the title cut.  Had the production been as stellar as other Ace passages, Space Invader might have eclipsed them all cuz tunes like “Gimme A Feelin'” and “What Every Girl Wants” kick so much universal ass.

ORIGINS, Vol. 1 – 2016 — A bitchin’ ‘Space Ace’ time machine that takes us back to the bands & tunes that sealed Frehley’s rock & roll fate, ultimately sending smoking Les Paul‘s skyward for all to see.  Although a collection of covers, it also includes a couple hot re-workings of classic Frehley-penned KISS numbers in “Parasite” and “Cold Gin”, both still staples today whether seeing the Ace Frehley Band or the new KISS.

LIVE + 1 – 1988 — Although it’s in essence an EP, and only includes one studio newbie in the (seriously shoulda been a single!) “Words Are Not Enough”, Live +1  is a great snapshot of ‘Frehley’s Comet’ live that includes an awesome drum solo by Anton Fig. Recorded at The Aragon Ballroom here in Chicago, I was lucky enough to attend, remember the excitement Ace and the band generated and feel it’s captured well here.

SECOND SIGHTING – 1988 — A near-miss by Ace in terms of material & focus on what would turn out to be the ‘Comet’s swan song, Second Sighting has it’s fun moments and great Ace sluggers like “Insane” but ultimately left us wondering if ‘the Comet’ was might burn up on re-entry if they continued on this trajectory.